Sofia Pantouvaki, PhD, is a scenographer and Professor of Costume Design at Aalto University, Finland. Her credits include over 80 designs for theatre, film, opera and dance productions in European venues and curation of many international projects. She led the research project Costume Methodologies, she is Chair of Critical Costume and an Editor of “Studies in Costume and Performance”.
Dr. Sofia Pantouvaki is Professor of Costume Design for Theatre and Film at the Department of Film, Television and Scenography, Aalto University, Finland. She has studied Scenography (MA, 1997) and holds a PhD Degree (2008) from Central Saint Martins College of Art and Design, University of the Arts London, and has specialised in design for opera and ballet at La Scala, Milan (1996).
Professor Pantouvaki is Editor of the academic journal Studies in Costume and Performance (Intellect). She is Vice-Head for Research, OISTAT Performance Design Commission/Costume Sub-Commission; Vice-President of the Board of Directors of the Hellenic Costume Society; Co-Convenor for the IFTR Scenography Working Group; and Founding Convenor and Chair of the international research platform Critical Costume. She is Editorial Board Member for Theatre and Performance Design; member of the International Advisory Board of Scene; and an active member of the ICOM Costume Committee. She conceived and led Performance: Visual Aspects of Performance Practice (Inter-Disciplinary.Net, 2010-2015) and was a member of the Global Editorial Board for Catwalk: The Journal of Fashion, Beauty and Style (2011-2016).
She was Co-Curator of the costume programme for World Stage Design 2017, Costume Curator for the World Stage Design 2013 exhibition, and Associate Curator for Costume in Action (WSD 2013). She also co-curated the Finnish Student exhibit, winner of the Gold Medal at PQ 2015 for the Best Exposition in the Student Section.
She has been a Post-doctoral Research Fellow in Costume Design with the Greek State Scholarship Foundation (2010-2011). She has taught at the Technological Educational Institution of Athens (2001-2012), the University of Peloponnese (2006-2012) and Harokopion University (2008-2012), and has been guest lecturer at universities in Europe, Northern and Latin America, Australia and Asia.
She is co-author of History of Dress – The Western World and Greece (2010, with E. Georgitsoyanni); editor of Yannis Metsis – Athens Experimental Ballet (2011), Presence and Absence: The Performing Body (2014, with A. Anderson), Dress and Politics /Endymatologika 5 (2015, with E. Petridou) and The Tribes – A Walking Exhibition (2017, with S. Lotker). She is currently writing a monograph on Dress in Auschwitz (I.B.Tauris, forthcoming) and editing a collective volume on Performance Costume: New Perspectives and Methods (with P.McNeil, Bloomsbury Academic, expected 2020).
In 2013, Prof. Pantouvaki founded Costume in Focus, the first research group on performance costume, currently based at Aalto University. She led the research project Costume Methodologies (2014-2018) funded by the Academy of Finland. Her research currently focuses on the theory and practice of performance costume, curation, scenography as theatre education, costume and technology, and clothing in the concentration camps of World War Two.